by Claire Keet Pollock and Sinal Govender
Picture this. A bright-eyed, bush-tailed creative, maybe a year or two into their career, gets a call from a massive multinational company to do some work for them. (Who me?! Yes, of course, I’d love to! What’s that? You’ve got a limited budget? No problem, it’d be an honour to work with your brand). Maybe this young gun is a photographer or a designer. Or a music producer. They’re told that money is tight on the job and are dangled the “exposure” carrot.
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