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Celebrating success! South African Opera Singer and Entrepreneur, Nozuko Teto, wows audiences at the 64th Wexford Opera Festival in Ireland

October 24, 2015 Melanie Hawken
Nozuko Teto (Palmyra) and Jeff Gwaltney (SimonPerez)

Nozuko Teto (Palmyra) and Jeff Gwaltney (SimonPerez)

As always, the annual Wexford Opera Festival in Ireland is a much anticipated event for opera lovers around the world, and this year was no exception. The event opened with the Frederick Delius opera, Koanga, featuring the talented South African opera singer and entrepreneur, Nozuko Teto in the role of Palmyra. She is receiving rave reviews for her wonderful performance.

 

"Through my company, I not only plan to create work opportunities for myself, but to positively influence other people's lives. My purpose is to change people's lives through music, motivational talks, and master classes."

"Through my company, I not only plan to create work opportunities for myself, but to positively influence other people's lives. My purpose is to change people's lives through music, motivational talks, and master classes."

Along Ireland’s south-east coast, Wexford Festival Opera has built a global reputation for its staging of operatic rarities. Each year three operas are presented in Ireland’s National Opera House and the chances are that they will be unfamiliar to many. This year’s festival opened with Frederick Delius’ Koanga, directed by Michael Gielata and featuring South Africa’s Nozuko Teto in the role of Palmyra. The opera was created as a result of Delius’ experiences in America. Koanga, one of the first serious operas to feature black protagonists, draws on the influences of spirituals and African-American music, nearly forty years before Gershwin’s Porgy and Bess. It tells the story of Koanga, an African prince sold into slavery. Martinez, the Louisiana plantation owner, realises Koanga will not be bullied into submission and hatches a plan to use Palmyra (played by Nozuko Teto), his wife’s maid (and secret half-sister) to persuade him to become submissive. It works and Martinez suggests Koanga and Palmyra marry, much to the fury of estate manager Simon Perez, who has been making unwanted advances towards Palmyra. At the wedding, Perez abducts Palmyra. Koanga escapes and places a voodoo curse on Martinez’s estate. In a state of collapse, the plantation struggles on. Perez offers to save Palmyra. Koanga returns to rescue her, but is captured and killed. Palmyra renounces her Christian faith and stabs herself.

Nozuko has been receiving wonderful reviews for her opening night performance, such as the one below:

“Soft as the sound of silver torrents playing on the rocks” is how Koanga describes Palmyra’s voice and that’s a pretty accurate assessment of the qualities displayed by South African soprano Nozuko Teto. She has a glorious, full lyric soprano which gleams throughout its range. Her Act II arioso “The hour is near, when I to him my soul surrender” was powerfully delivered, her diction crystal clear. Teto carried off the score’s only famous number – La Calinda – neatly, toasting her bridegroom before dancing for him.”
— Reviewed at National Opera House, Wexford on 21 October 2015

Read Nozuko Teto’s startup story here.

Contact or follow Nozuko Teto and her company, Adesso Enterprises

FACEBOOK | TWITTER | INSTAGRAM | YOUTUBE | EMAIL adesso@nozukoteto.com

In Women Doing Great Things Tags Culturalpreneur
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